the poetic quality of erato's art often depends on the fact that forces and drives of which she is unaware motivate her. erato's paintings are a vehicle of her feelings and an expression of her loving, suffering and desiring. manfred peter mueller

i was impressed, especially with the very loose acrylic pieces that have a strong feeling of human form, and yet are so free and exuberant that their energy goes way beyond the limitations of the human
form. claude smith

erato tsouvala, from greece, reminds me at once of american representational art at mid-century and germany's postmodern reworking of it decades later. in her touch, a long line weaves together dynamic, rather sexy figures with the white field showing through. john haber