... it is a work of ample vision, with a perspective that comes from the interior and it is increased in the small details of an object, like in the privacy scenes, of the rest, of the game. their works consider through colorful boards to mean a vision of the imagination fragmented in the memory. the affection in figures integrated to the movements, desires, the joys and the limits of an activity share that cross the fields of the art and the opened enchantment of the childhood like the infantile transparency, smiles and pothooks.
silvio de ferrari lercari, april 1999

ana maria is worth, in this occasion, to express itself, of a mixed technique, appeals to the charcoal, the red, the pencil, the pie, the digital printing, to collage, inserting stamps of post office (affective experiences of trips and familiar scenes), card pieces of diverse shades that serve to him harmoniously to compose geometric constructions in a plastic and poetic constructivism, semiabstract and semifigurative, in whose composition they do not lack certain codes that appear from their primigenios works, transmitting since then a feeling of innocence and tenderness to us, naivete (naif) and primitive reminiscencias. of there the enchantment of its painting, synthesis of the movement and the dream in an incessant one to run of the life.
arturo corcuera, february 2001

in the painting of ana maria guevara the spontaneous outlines and the color seem to follow the senses of a musical improvisation. it is one first printing, reinforced by the perception of the harmony in another level: the accumulations of elements of the daily experience transformation in significant assemblies by the installation of the marks in its diffuse reality they experience an evident one to please by the emotional and spiritual agreements. it is as well as it arises a poetic one, ordered from inside by the geometric disposition, in vertical and horizontal, of the composition.....
mihaela radulescu, april 1997