it is more interesting for aloian
not to invent but live - soundly, with all lungs and eyes -
in the best parts of bible, the main creation of god. that is
why aloian's works by today sre smoothly divided into seven
parts: "light", "heaven stronghold", land and flora", "luminaries",
"fishes and birds", "animals and the man", and "saturday".
the former six parts are re-creation of truth, the seventh - it's sanctifying. our painter has not yet come to fall, and he hardly will.
it is easy for us, living next to him, to think of leaving the what sergei aloian's palette does reasonably not assume?
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